I got my test tiles out of the kiln this week, and I am really pleased with the results so far. This is the first time I've ever mixed a chrome tin glaze. How cool that such a vibrant green powder can make such a lovely wine color after firing! I definitely want to do more research on chrome tin glazes, since I understand they can be difficult to get right. I feel a bit like I cheated by skipping all the testing and using the tried and true recipe provided in my book. I did learn that you only need a tiny amount of chrome to get the best color - .1% provided the richest raspberry color.
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Raspberry glaze from Mastering Cone 6 Glaze. |
I just found a
very helpful article about trying to get a pink glaze using mason stains, and it breaks down the different elements that are needed to get color, and which ones will bleach out the desired pink or red (magnesia apparently is not compatible with getting pink to work, apparently). I assume that the same guidelines provided in this article are true for mixing glazes from oxides rather than stains, but I guess I'll have to test to find out.
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Two mixes of Floating Blue Woo |
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A blue green copper glaze. We call it Maggie Moo, because our instructor Cathy's daughter, Maggie, mixed up the original recipe for a science fair project. How cool is that? |
I hope I can learn from these base recipes and eventually be able to formulate my own glazes based on the results I desire. There certainly is a lot to learn!
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